CODEEPENDENCY

I once read somewhere that ‘a present is a thing you want someone to have while a gift is something they would like to receive.’

For me, the process of earning trust, learning to love and be loved, being vulnerable and genuine as we give and take — are actions best symbolized by the subtle “art” of gift-giving. Like the energy and attention needed in selecting the perfect gift, all relationships are fraught with a co-dependent delicacy surrounding generosity, intentionality, and synchronicity.

To that end, I can’t talk about codeependency without adding the extra “e.” You get it, you know you do. The very mention of the word invokes a compelling, unsettling, and one of my all-time favorite pyramids, the “Feararchy” charting our most universal, anxiety-riddled hits: Fear of Extinction, Mutilation, Loss of Autonomy, Separation, and Ego-Death.

To exercise those unavoidable demons, I collaborated with two, formidable designers — my original intern, Drew Heffron, and my last, Wesley Fry. The guys were simply given the title, “Codeependency,” and asked to create three unique designs via an exquisite-corpse exchange. I swallowed my fear and ego and gave them complete, creative autonomy.

Final design in hand, I enlisted shiny art star, Myles Calvert, to lead screen printing. Codeependency formally materialized as a collection of monochromatic fabric textiles each adorned with the word amato (Italian for “beloved”), locked into a pixelated cube balanced precariously on its side.

  • Drew Heffron (textile design)

    Wesley Fry (textile design)

    Myles Calvert (screen printing)

    Evane Williams (belly band design)

  • Screenprint Furoshiki

    27 x 27 in (ea)

    Limited Edition Series of 45

  • Work available for purchase online, and deliverable to buyer, in early 2023.


Photos courtesy Mutter Images

A real-time collaboration with gallery installer, a prolific artist in his own right, Mike Gentry, brought this work to life. Textiles were hung as an inverted pyramid, attached to one another and suspended en mass with magnets, cascading onto the floor and confronting the viewer as an unavoidable tsunami.

While the installation addresses the potential perilous nature of all relationships, the accompanying display offers a more hopeful interpretation. Fabrics are enclosed and offered as a limited edition set of “furoshiki,” a traditional Japanese wrapping-cloth, used for gift-giving. A single, handcrafted hanger elevates a neon furoshiki above the set reminding us of the aspirational nature of this exchange and, with the best of intentions, endeavoring to break the cycle.

INSTALLATION VIEWS

Noteworthy


NUMBER OF TEXTILES IN THE EDITION

45

NUMBER OF MAGNETS USED


198

SQUARE FOOTAGE OF INSTALLATION


~ 500

SELECT DETAILS